Well, I don’t want to come across as one of those luddite-whingeing-indie-music-types but the short answer is I wanted to share with you a Facebook posting from John Parker (musician extraordinaire, bassist, beat-boxer, guitarist par excellence and all round good human being) who recently shared his experience of trying to keep working in a music industry that is broken. I think JP’s situation and his FB declaration typify what it’s like to be a working musician in the digital age – an age that promised so much but delivers very little in return for the working musician, unless you’re Elton John or Paul McCartney. We’ve never had greater access to so much amazing music but rarely have such world-class music-makers had to choose between earning money as a gardener or barely scraping a living (or going into debt) to do what they love.
[*More info at the bottom of this blog on streaming and artists’ pay.*]
Welcome to this months blog post.
Here is a short extract from the forthcoming book ‘A Hero’s Journey Through the Music Industry’ on how Nizlopi embraced House Concerts through the UK House Concert network and how important it was in the band’s early development and understanding of how to create a rapport with their audience.
The Weaponless Secret, (and problematic pronouns).
During his time studying in Brighton, Luke discovers the Healthy Concert or House Concert network (not nearly as boring as it sounds), and more commonly referred to as ‘Gigs in Digs’. The idea is beautifully simple and in recent years has been picked up by some of the smarter record labels as a way of developing certain, younger ‘fledgling’ acts, giving them the chance to play in more intimate surroundings where they have a chance to develop their craft and learn how to build a rapport with an audience. This is how it works. Create or join a network of like-minded people who want to attend or host gigs in people’s homes. Alcohol is not always a fixture and if you do bring a bottle you are “invited to share it with the other guests”. Its not that the house concert crowd are puritanical or anything (far from it) but setting some guidelines around booze can prevent it being seen as a “piss-up at my mates place with some geezers playing guitar, innit”. You don’t have to live in a Palace, even a bed-sit will do – and more often has! Bring in interesting and talented artists of all kinds with one aim, you all have a great time, et viola, you have a house concert. It really is that simple.
